Showing posts with label rosie garland. Show all posts
Showing posts with label rosie garland. Show all posts

Thursday, 7 April 2016

26 Books: A Book by an Author You've Never Read Before


Our Next One: A Book By an Author You've Never Read Before. So, without further ado.

This would be a number 6 book by an author you've never read before in 2015 books.



Hiroshima by John Hersey (J):
(read August 2015)
I heard about this on the radio the week before last, it being the 70th anniversary of the dropping of the atomic bomb on Hiroshima, and found myself in a book shop with a book token a couple of days later. What might have put me off buying it or reading it was the likelihood of its being just too horrific. John Hersey manages this perfectly, I think. For anyone who either knows a lot or nothing about what it might be like to have a nuclear bomb dropped on you, this is excellent. He is just so matter-of-fact. We start with the normal people going about their normal business earlier in the morning, we have the detail of what happened when the bomb went off (none of them had the remotest idea what had happened) and for the immediate few days afterwards. This is indeed horrific, how could it be otherwise? Somehow, because it's real people that John Hersey interviewed 12 months later, and then followed up thirty years later, the horror is contained.
Should be compulsory reading for everyone, probably at school level!




'What We Left Behind' by Robin Talley (E): 
(read September 2015)
I don't usually go for romance novels, as they all seem a bit too... girly for me? Well, that's certainly bad terminology when reviewing this book.

What We Left Behind is the story of Gretchen and Toni/y, girlfriends, moving into college and discovering their identities to do with sexuality and gender. That's it in a nut-shell. It was really refreshing to see a young adult novel about transgender or gender queer people, rather than just gay people. Not that I'm opposed to LGB books - not at all! Just that this was something a bit more original.

It really made me think a lot more about the nuances of things - before this I had never thought about the use of pronouns particularly, or the difference between gender queer, gender nonconforming, non binary etc. Toni/y is struggling with all of these things throughout the novel. I liked the way that each chapter alternated the perspective (Toni-Gretchen-Toni-Gretchen), but, unfortunately, Toni was a much more dominant character. Until the end, Gretchen is fairly passive and a sort of vessel for Toni's continued rumination on her problem of labelling. She came into her own a bit by the end, but it was still much more Toni's than Gretchen's story.

Talley captured, I think, the confusion of indecision and identity very well. As a window in to what some people's lives can be like, I think this is a valuable book. But, because of the nature of a lot of the circularity of her ruminations, the book felt like it was also perambulating and repeating itself a lot. Sometimes perfect portrayal of a feeling or experience doesn't actually make for the most scintillating reading. Maybe some more editing wouldn't have gone astray?

Basically, I liked the premise, the story, and sort-of liked the characters, but I felt the writing let it down. It was fantastic and fascinating, though, to have some small insight into this world.

I received an ARC from NetGalley in return for an honest review, but all thoughts and opinions are my own.

'Vixen' by Rosie Garland(A):
(read ay 2015)
Joe's choice of book from Mr B's because of its cover which is exquisite - a beautifully red brown curled vixen in a nest of flowers and stars. The story is of peasant drudgery - middle ages? - with their respects to the plague, magic, religion, prejudice, humanity, and a lesbian story at its hard. Not really that great - nice writing at times, but not a good story.

Tuesday, 9 February 2016

A Book You Chose Just for Its Cover

Bringing Up Burns 2015, would've been Number 3 for Bringing Up Burns


'Etta and Otto and Russel and James' by Emma Hooper (A):
(read April 2015)





This was my book bought for its cover without actually opening it and peeking at all! It's a beautiful cover - what I thought was a golden dog with three wise men below him and interestingly naive lettering. The inside was not quite as good as the cover - the dog was a wolf andwas great - a coyote called James and the three very elderly people in the shape of his legs had a story involving snapshots of their convoluted history together and a set of journeys. It was ultimately a sad or sentimental read about aging, different conceptions of the past, famines and childhood, as well as of determined travelling.

A






'Vixen' by Rosie Garland (J):
(read April 2015)

** spoiler alert ** I had no expectations of this book, as I bought it on the basis of its beautiful cover, which several other people commented on while I was reading it, so WELL DONE LINDSEY CARR, it did the trick. Then I noticed that the front cover's critic's comment was about Rosie Garland's "lush prose" and I started to have expectations. These were soon dashed: I found her writing jangly, spare and harsh, but this was in contrast to David Mitchell's in The 1,000 Autumns... which I had just finished, so that was a tough comparison. I realised after a while that some of the time Rosie Garland is attempting to write an English meant to represent what might have been spoken in 14th century North Devon. This is a very hard thing to do, and something I often find myself
critical of, both on screen and in books. It's not possible to do correctly for an era as distant as 14th century England: we wouldn't understand it if it was genuine, and to write in current colloquial English would also sound wrong. However, I find some authors more convincing in this than I found in Vixen. By the end of the book I had become used to the style so I wasn't jarred or irritated. Oh dear.

The story was oddly thin. Odd, because the basic themes were interesting and the sort of thing I expect to enjoy: history (the Black Death), relationships (men and women in that era, specifically a good speculation about what supposedly celibate priests and their housekeepers might have been like), a place I vaguely know (Barnstaple and nearby) and yet I wanted more to make me believe.
So, sorry Rosie Garland, I won't be coming back to you, but keep using Lindsey Carr for your covers, and you'll sell anyway!

J

'Weathering' by Lucy Wood (E):
(read in March 2015)


So,  I seem to have struck lucky with the pretty cover one! I chose Weathering because the skeleton leaf is just beautiful, and I love the font too. Never heard of Lucy Wood before last year, and I just spotted this in a book shop. (Mr B's actually!) It's a fantastic book; I love Wood's writing. The book hinges on her writing, in that sense it is very literary. A lot of the book was 'scene setting' which seemed more important than the characters in a way. I would go as far as to say that the place is actually a character in  the novel itself. The story is second to the place it's set in . Weathering is an apt title - the weather is so important, and beautifully described that no other title would have fitted. I don't know whether Lucy Wood has written anything since 2015, but I'd be interested to read it (along with the 500 other books on my TBR pile...)
Give it a go - it's more than just a pretty face!
E